Africa’s creative economy is no longer a side act—it’s taking center stage in the continent’s economic future. From music and film to fashion and digital content, the sector is proving to be not just culturally rich, but commercially powerful. At the heart of this creative revolution is Afreximbank, championing what it calls “Global Africa” through its flagship initiative, the Creative Africa Nexus (CANEX).
CANEX is more than a programme, it’s a continent-wide movement. Designed to inject capital, build capacity, and unlock global markets for African creatives, it’s pushing the idea that industries driven by youth, talent, and innovation can generate wealth as effectively as oil or minerals. And the numbers support this. By 2040, Africa’s creative sector could rake in over \$20 billion annually and create more than 20 million jobs.
Take Nigeria. Nollywood now ranks as the world’s second-largest film industry by volume. Afrobeats dominates global charts. Local fashion brands are storming runways in New York and Paris. These aren’t isolated wins—they’re signals of a wider shift, one that CANEX is working to institutionalize.
The bank has committed billions in credit facilities, including the soon-to-be-operational \$1 billion Africa Film Fund. It has also launched CANEX Creations, an intellectual property investment vehicle to help creators commercialise their work through licensing and royalties. At the core of this model is ownership—of content, platforms, and distribution systems—designed by Africans for Africans.
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But the journey isn’t without obstacles. Royalty structures remain skewed, with African artists earning far less on global platforms like TikTok and YouTube. Distribution infrastructure is weak, IP protection is limited, and financial institutions still view the creative space as high-risk. CANEX aims to close these gaps—through funding, training, and advocacy.
The diaspora plays a critical role too. From Brazil to the Caribbean and New York, Afreximbank is actively building bridges with Africans abroad to drive investment, trade, and cultural exchange. It sees diaspora remittances not just as lifelines, but as fuel for Africa’s industrial transformation.
Afreximbank’s push to reposition creativity as a core part of Africa’s economic strategy isn’t just bold—it’s long overdue. The stories, music, fashion, and innovation flowing from the continent aren’t just shaping how Africa is seen they’re shaping how Africa grows.
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Good move!